course A [
] ‘Creative Writing 1: Landscapes’
how we give life to the world
around us
and then try to interpret its meaning...
1 .
Who'd Be A Writer? Fun, Profit And Plato's
Cave...
• |
why
write? you and the need to say it... |
• |
who are
you talking to and why do you want to tell someone like them
anyway? |
• |
if you
really want to tell them, what is the best way to say it? |
2 .
The Commonality Of Language - " I
thought I Understood And I Guess I'll Get Back To You...Soon".
• |
your
personal philosophy and how to make it make sense (in writing
that is) |
• |
looking
at it from the outside - what is its shape and why are there
holes? |
• |
what I
say is not what you understand - eyes, mouths and ears are all
different... |
3 .
The Self Versus The Non-Self (And
Visa-Versa)
• |
tension
in description - up, down, left, right so what's implied in
between? |
• |
if I were
to describe me as someone else saw me what would it read like? |
4 .
What Is A Landscape And Why? Do We Live
In It Or Does It Live In Us And Should We Ever Give A Damn?
• |
they're
all made up of living and non-living things, but what do you
focus on that makes them unique? |
• |
these are
the things that I see which makes each landscape unique, so
what does that mean to me? |
5 .
Take This Object And Make Into A Living
Thing (Outside)
• |
love
between rocks/the sadness of a discarded wrapper/the frenzied
enlightenment of a microwave... |
6 .
Take This Person And Explain What They
Mean (Inside)
• |
all the
emotions stacked like cards/all the thoughts created for an
end/all physical action defined for a purpose... |
7 .
Time, Space, Things Happen And All That
Jazz (Contrapuntal Harmony Summarised).
• |
in the
beginning was the beginning, in the end was the beginning of
the next end. |
• |
in
between, objects and animals and people collide, generally for
a purpose, where someone or something decides to act. |
8 .
Here It Is From Heaven, Here It Is From
The Ant, So Who's Wearing The Sunglasses?
• |
from the
top of the mountain, you can describe the pattern as a
pattern, on the ground looking up you never know what's going
to happen next |
• |
is any
one view better, different, easier, more correct? |
• |
can you
be in both places at the same time? |
9 .
The Grand Composition (Flowers And
Mutations) - How Do You Cut And Why Isn't It More Painless?
• |
no real
answers here, just taste, style, aspects of all of the above
and, of course the writing... |
write mechanix
tutorials
course outline copyright david young 2000 and before
Phone 02 6254 2917
no words can ever be written
unless they’re meant...
|